Krifka directs each complex narrative as paintings unravel and reform slowly over months and even years. Protagonists inhabit domestic spaces, sometimes gazing assertively out of their canvases, other times disappearing into the wallpaper, but always vulnerable. Her figures occupy various states of undress, preparation, or play, expressing an ease with intimacy and an acknowledgment that the act of looking is a central component of desire. The pleasure of observation is echoed in Krifka’s own words: “…our pleasures and perversions have been molded by the fictions that permeate our ubiquitous visual culture. That our most secret desires are partially formed by our codified, collective experiences is a source of endless fascination for me.”
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